MULTI-CAMERA VIDEO SYNCHRONIZATION

Every Camera.
One Timeline.

Eliminate manual multi-cam scrubbing. RevMatch AI correlates acoustic engine harmonics, 10Hz GPS satellite timecode, and IMU inertial bump spikes across every mounted angle—exporting sample-accurate timelines directly to DaVinci Resolve, Adobe Premiere Pro, and Apple Final Cut Pro.

DaVinci Resolve (.xml) Adobe Premiere Pro (.xmeml) Apple Final Cut Pro (.fcpxml)
Explore Timeline Sandbox ↓ Workflow Pipeline ↓ Technical Specs ↓
INTERACTIVE ENGINE SANDBOX

Timeline Alignment Inspector

Simulate multi-camera angle ingestion, drift offset calculations, and inspect the sample-accurate XML sequence structure generated for your editing suite.

CAMERA RIG:
TARGET SUITE:
SEQUENCED TRACKS ALL ANGLES SYNCHRONIZED (0.00s DRIFT)
V1 · POV
CAM_01_HELMET_4K60.MP4 [SYNC MASTER]
V2 · BARS
CAM_02_COCKPIT_4K60.MP4 [OFFSET +1.42s]
V3 · DASH
CAM_03_DASH_4K60.MP4 [OFFSET -0.38s]
V4 · TAIL
CAM_04_CHASE_4K60.MP4 [OFFSET +2.18s]
A1-A4
STEMS_SURROUND_48KHZ_24BIT.WAV (SUB-FRAME PHASE-LOCKED)
EXPORT: DaVinci Resolve Final Cut Pro XML SYNTAX: VALID 
<xmeml version="5">
  <sequence>
    <name>RevMatch_Sync_Expedition_Alps</name>
    <rate>
      <timebase>60</timebase>
      <ntsc>FALSE</ntsc>
    </rate>
    <media>
      <video>
        <track>
          <clipitem id="clip-cam1">
            <name>CAM_01_HELMET_POV.MP4</name>
            <in>0</in>
            <out>18420</out>
            <start>0</start>
            <end>18420</end>
          </clipitem>
        </track>
        <track>
          <clipitem id="clip-cam2">
            <name>CAM_02_COCKPIT.MP4</name>
            <in>85</in>
            <out>18505</out>
            <start>0</start>
            <end>18420</end>
          </clipitem>
        </track>
      </video>
    </media>
  </sequence>
</xmeml>
PIPELINE ARCHITECTURE

Three Steps. Zero Scrubbing.

An autonomous batch pipeline built to eliminate the hours spent manually lining up claps, horn honks, or engine revs across SD cards.

STEP 01

Dump Raw Media

Drag every card into a single project folder. GoPro, DJI, Insta360, iPhone, or Sena helmet comms. Zero file renaming, manual sorting, or chapter concatenation required.

STEP 02

Multi-Modal Alignment

The engine executes 256-band FFT acoustic cross-correlation on engine revs, extracts 10Hz GPS satellite UTC timecode, and phase-matches IMU pavement bump spikes to eliminate sub-frame drift.

STEP 03

Direct NLE Cut

Open the generated multi-track sequence in DaVinci Resolve, Adobe Premiere Pro, or Apple Final Cut Pro. Stream-copy trimming means zero re-encoding and zero waiting on render bars.

ENGINE CAPABILITIES

Built for Precision Riding Video

Engineered from real mountain pass tours across the Alps, Colombia, and the Pacific Coast to handle bad camera clocks, wind noise, and vibration.

ACOUSTICS

Harmonic Exhaust Lock

256-band FFT spectral correlation isolates engine revs and downshift throttle blips through high-speed wind buffeting, locking audio tracks down to the sample level.

TELEMETRY

10Hz GPS Satellite Sync

Extracts embedded GPS UTC satellite timecode from camera MP4 metadata streams, correcting for thermal clock drift across multi-hour continuous alpine ascents.

INERTIAL

IMU Bump Transient Match

Phase-matches accelerometer impact spikes and corner roll angles from bike and helmet sensors when riding through pavement heaves, cattle guards, or bridge joints.

PERFORMANCE

Lossless Stream Copy

Native H.264, HEVC, and ProRes bitstreams are trimmed and placed without re-compression. Your source master files retain 100% of their original sensor bitrate.

EDIT SUITES

Universal XML Generation

Native support for Final Cut Pro XML (XMEML v5) and FCPXML v1.10. Stacks cameras onto clean parallel video and audio tracks with sample-accurate track offsets.

SAFETY

Non-Destructive Guarantee

Source SD card media and project directories are strictly mounted in read-only mode. RevMatch AI never alters, overwrites, or truncates original camera files.